In the tears of the early morning, I have found it, from the embrace of the shell that is empty of the stream of water.

This couplet speaks of finding something precious in the tears of the dawn (Ashk-e-Sahar-gahi). The poet suggests that even the shell's embrace, which is far from any source of water (Nāb), holds a profound secret. It's a beautiful metaphor for finding purity or deep truth not in grand, obvious sources, but in the subtle, quiet moments—like the tears that accompany the rising sun. It elevates the mundane to the mystical.