Ghazal
आओ कभू तो पास हमारे भी नाज़ से
This ghazal is a deeply emotional and melancholic poem of love, where the poet expresses a longing to meet his beloved and cherish the moments spent together. It reflects on the transience of life and the depth of love, advocating for a sweet and intimate connection.
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1
आओ कभू तो पास हमारे भी नाज़ से
करना सुलूक ख़ूब है अहल-ए-नियाज़ से
If you ever come near us, with our grace,
Be gentle in your manner, dear to all human race.
If you ever come near us, with our grace, be gentle in your manner, dear to all human race.
2
फिरते हो क्या दरख़्तों के साए में दूर दूर
कर लो मुवाफ़क़त किसू बेबर्ग-ओ-साज़ से
Do you wander in the shadows of trees, far and wide,
Or grant your consent to some unleafed-and-unstrung art?
Do you wander in the shadows of trees, far and wide, or grant your consent to some unleafed-and-unstrung art?
3
हिज्राँ में उस के ज़िंदगी करना भला न था
कोताही जो न होवे ये उम्र-ए-दराज़ से
It was not good for me to live a life in separation from her,
Lest I should slip away from this long life's span.
It was not good for me to live a life separated from her, lest I should carelessly slip away during this long span of life.
4
मानिंद-ए-सुब्हा उक़दे न दिल के कभू खुले
जी अपना क्यूँ कि उचटे न रोज़े नमाज़ से
O lord of the morning's beauty, the knots of the heart never open, / Why are you yourself so excessive, that you abandon your daily prayers?
O lord of the morning's beauty, the knots of the heart never open, / Why are you yourself so excessive, that you abandon your daily prayers?
5
करता है छेद छेद हमारा जिगर तमाम
वो देखना तिरा मिज़ा-ए-नीम-बाज़ से
It makes holes, holes in our whole heart,
Just look at your half-tempting demeanor.
Seeing your half-tempting demeanor makes holes in our entire heart.
6
दिल पर हो इख़्तियार तो हरगिज़ न करिए इश्क़
परहेज़ करिए इस मरज़-ए-जाँ-गुदाज़ से
If you have control over the heart, then never do love to it,
Keep away from this fatal, soul-consuming ailment.
If you have control over the heart, then never do love to it; keep away from this fatal, soul-consuming ailment.
7
आगे बिछा के नता को लाते थे तेग़ ओ तश्त
करते थे यानी ख़ून तो इक इम्तियाज़ से
Laying out the mat, they would bring the sword and the axe,
They would spill the blood with a unique distinction.
Laying out the mat, they would bring the sword and the axe, doing it as if the blood was being shed with a unique distinction.
8
माने हों क्यूँ कि गिर्या-ए-ख़ूनीं के इश्क़ में
है रब्त-ए-ख़ास चश्म को इफ़शा-ए-राज़ से
Why should they assume that in the love of the blood-soaked mountain, there is a special bond from the eye's revelation of secrets?
Why should they assume that in the love of the blood-soaked mountain, there is a special bond from the eye's revelation of secrets?
9
शायद शराब-ख़ाने में शब को रहे थे 'मीर'
खेले था एक मुग़बचा मोहर-ए-नमाज़ से
Perhaps in the tavern, at night, 'Mir' was present,
Playing a game with a coin taken from the prayer mat.
Perhaps in the tavern, at night, 'Mir' was present, playing a game with a coin taken from the prayer mat.
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